In officer basic I learned how to set the headspace on a 50 cal machine gun, but my Tac Officer said, "Headspace is the distance between the ears."
The airspeed at which the tail can be brought up, the nose wheel brought just off, or the mains brought just off into low ground effect cannot be listed in the POH nor marked on any instrument because it varies with total energy available. Bot cannot be programmed with unknown airspeeds, but humans can feel for the unknown. We don't even have to look at an instrument. AI is here to stay, but we overcome tight, possibly poorly planned situations using headspace.
AI analyses data, I am told, to reprogram certain specifications. The human brain is capable of art and epiphany. We can move outside certain specifications. First we destroy certain specifications that limit energy and performance, then create new specifications. This can happen with design or technique.
Vx requires stable conditions to be optimal. Zoom reserve is assurance of maneuvering airspeed and the potential to exchange that airspeed for assured altitude. When a certain altitude, but just that altitude, is necessary to miss obstructions, assurance with or without engine seems preferable to "requires stable conditions."
Rudder movement assures immediate yaw of the nose to a desired target. Coordinated turns require both rudder to overcome adverse yaw and aileron to bank, and time. Slipping turns (inadequate rudder movement) require a dangerous, when horizontal space available is limited, long, long, long, long, long time. The first time significant rudder, perhaps to the stop, is needed and the airplane continues to fly is an epiphany. Coordination, balance, is generally best form but not always best practice.
Bot is limited to specified control movement so his data is limited. Pilots are not limited. They can move the controls to see the full extent of their function. If we don't like what happens, we can move it the other way, but experience has happened and specifications can be changed real time. Bot is programmed to nibble, as Jim Parker describes it. Pilots can move from gross to nibble and back as needed. They are capable of artistic as well as mechanical flying.
John Boyd was heavy handed on the controls. Most fighter pilots didn't want to go there. He just defeated every one of them in forty seconds or less. He called it, both design and technique, energy maneuverability.
Art finds useful variance in established standards, tactical fluidity in static principles. Pilots are tested to standards. It needn't stop there.
